If the instrument is not good, it is not fun.
It is not fun because the instrument is good.
These two contradictory propositions are true at the same time.
A good instrument does not necessarily mean it is expensive.
A bad instrument is not fun because the work efficiency is low.
It is not that it is not fun, but that it is a hindrance.
Second, the instruments are good but not fun.
If the instrument is good, slight deviations will be felt by the listener, which can be a bit nerve-wracking.
It is not fun for the player to be required to pay close attention.
However, even if it is not fun, it does increase the efficiency of improving and maintaining the quality of work.
If the music is good, does it make it more fun for the player to play it?
That depends on the level of performance.
It is not fun just because the piece is good.
The stage where you deeply understand the piece and call it a good piece does not necessarily mean that you are playing it well.
It is fun if the playing technique, which is how you express it, is perfect.
In other words, even if the piece is good, it is not fun if you cannot play it in a way that matches the expression.
In order to play it enjoyably, you need a level of performance, and the self-righteousness of the community or the self-centered enjoyment of the individual is not enjoyable.
Classical violin has been woven on the stage of political power, the church, and the local community.
In other words, it has been moving toward a common ideal, including some deviations, in the midst of its interpersonal relationships, classes, and roles.
Therefore, what classical violin has reached in every era has been a world realized through variations in harmony, chords, and tonality.
It can never be achieved through isolation or single notes alone.
Collaborative musical work is not just music, but also an exchange within a community or human group,
and a certain level of quality is required.
In a church, however, a considerable degree of deviation is tolerated, because music itself is an imperfect minister who receives the Holy Spirit just like a priest.
Music is a tool for humans, and classical violin music is also music that can be used for useful purposes.
In fact, there are more classical violins that are misused.
In those cases, only the quality of the performance is guaranteed to be abnormally perfect.
Such classical violin music is hedonistic commercial music marketed to about 20% of the world's population.
From the perspective of Japanese values, it would be incomprehensible.
Because Japanese values are a self-righteous refusal to understand.
Composers have no expectations of perfect Japanese people of that kind.
